![]() It would be doing your band a disservice." This is his explanation of how he manages to make sure each band he records winds up with their own unique sound. "You're not going to make a better Radiohead record than Radiohead. The recording philosophy of Nashville engineer David Streit can be summed up quite succinctly in his own words. He's a staff writer for Sensored Magazine, and his writing has also been featured in Verbicde Magazine. Nate Griffin wrote this article about me. Learn about engineering and production, but also study music theory, music business, and entrepreneurship. Also realize that there are some things you can only learn off-campus in work situations. School is a great place to make mistakes and learn from them. Spend as much hands-on time in the studios as you can. What words of wisdom do you have for students just coming into the program? Is there anything you wish you had done differently? In engineering, as with musicianship, tone is in the fingers. Finally, gear is important, but it’s not as important as knowing how to produce good work with whatever equipment is at hand. Financial liquidity means more freedom to pursue your dreams. Try to structure your life to minimize debt. Internship is valuable for learning skills, and also for exploring different aspects of the industry and potential career paths. What advice would you have for students who are preparing to graduate soon? Arvin’s comments reinforced the idea that I needed to constantly work toward a very high standard. He told me it needed to SMACK! The encouragement I got from my professors was extremely valuable in that it gave me confidence that I had good ears, and that I could do the work. He listened to my mix, and told me it wasn’t good enough. One day, producer Reed Arvin spoke to our class. There were so many valuable things I learned. Was there any advice or key learning during your time in the program that you still find applicable today? Any life lessons? The coolest thing is when an artist tells me that I make their music better, or that I support them in a way that helps them to deliver their best performance. After a year and a half, I went freelance. I interned at studios, and eventually got a staff assistant position at Quad Studios in Nashville. I transferred to MTSU when I decided I wanted to learn about recording. I started in live sound while I was in college. ![]() What career path did you take to end up in your current position? My primary responsibilities include finding clients, making them sound good, and keeping them happy. In the studio, I record, mix, and produce. What is your current position and what are your primary responsibilities? However, as a friend of mine told me, Rock N Roll has a way of claiming its own. Was there a defining moment when you knew you wanted to pursue music as a career? The program was highly rated, near the center of the music business, and tuition was very reasonable. I graduated in Fall of 1995 with special emphasis in Production and Technology and minors in Music and Mass Communications. What year did you graduate and in what area were you? MTSU Alumni Spotlight Spotlight on David Streit I was recently featured in Middle Tennessee State Univesity’s Alumni Spotlight. ![]()
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